Berlino Large

Designed by: Renzo Piano for iGuzzini

Why we love it: Available with aluminium or glass and aluminium diffuser, this pendant luminaire is used with discharge lamps and provides powerful downlighting. It’s matte aluminium finish and robust elements evoke professionalism and efficiency. 

Where you can get it: ECC lighting

Gone Fishing

Designed by: Volker Haug

Why we love it: Whilst non immediately ‘industrial’ in appearance, the metal base and stand wrapped in leather, thick old-fashioned chord and bright, long-filament bulb allude to the illuminations of old. The splash of colour on the chord makes this simple, minimalist design particularly eye-catching. 

Where you can get it: Tongue and Groove

Heavy Light

Designed by: Benjamin Hubert for Decode

Why we love it: The imaginative use of concrete for the lamp gives this light both a sculptural and industrial texture, refined by the stainless steel bulb fitting and braided cable.

Where you can get it: ECC lighting

Insulator Light – Key

Designed by: Jos Van Hulsen 

Why we love it: Constructed from upcycled materials including steel, brass, wood, glass insulator and an old key, the Insulator Light incorporates decorative elements to create a unique, spontaneous aesthetic.

Where you can get it: Post Industrial Design

Ketch Yacht Well Glass Light

Designed by: Davey Lighting

Why we love it: The distinctly vintage nautical flavour of the Ketch Yacht Well Glass Light and handcrafted attention to detail assure resilience and quality, making it ideal for outdoor application.

Where you can get it: Dunlin 

Type No.02

Designed by: Frank Buchwald

Why we love it: Hand-made from raw metals and blurring machine/organic boundaries, the Type No.02 is truly imbued with personality. Functional though it is, it’s artistry sets it in a league of it’s own.

Where you can get it: Machine Lights

SimpleI

Designed by: Christopher Boots

Why we love it: This assembly of copper, zinc, iron, carbon and silicon shows unwavering commitment to clean lines and economy of design, resulting in a spare, elegant pendant. 

Where you can get it: Christoher Boots

Well Glass Pendant Light

Designed by: Davey Lighting

Why we love it: Tracing it’s origins back to the East India Docks, the Well Glass Pendant exudes old-world charm. Each clear-glass shade is individually made, resulting in slight variations from piece to piece and further imbuing it with character. 

Where you can get it: Dunlin

Operating in Australia since 2001 Caesarstone® is the market leading brand of quartz surfaces in Australia. Today Caesarstone Australia Pty is a fully owned subsidiary of Caesarstone International and with the Caesarstone® brand now available in over 40 countries Worldwide.

 The Caesarstone® product range offers a contemporary approach to kitchen design and renovations while maintaining the quality and luxury that consumers have come to expect from this category.

Caesarstone® engineered stone surfaces are a smart, modern alternative to products such as marble and granite for kitchen bench tops and splash backs as well as bathroom vanities and wall linings.

Caesarstone® quartz surfaces are available across all states of Australia and also New Zealand.

Supremo Collection:

Supremo™ is a new premium collection from Caesarstone® that exudes a delicate, subtly blended aesthetic made possible by innovative patented technology. Creating a new concept within quartz surfaces, Supremo™ proudly delivers a natural, exclusive look supported by the added quality and guarantee of quartz.

Distinctly different from any other quartz surface in the market, each slab is a one-of-a-kind creation mirroring nature’s endless diversity. Supremo™ is suitable for all applications from kitchen bench tops and splash backs to wall paneling, vanity tops and even custom made furniture. 

Supremo™ offers a range of six spectacular colors, with names inspired by the romance of history – Fair Lady™, Swan Lake™ – two stunning new whites, Shining Armor™ – the perfect neutral base colour, Black Knight™ and Queen of Sheba™ – two distinctive blacks and finally Maharaja™ – our classic brown.

Supremo™ collection offers premium, luxury quartz surfaces, requiring minimal maintenance. Like all Caesarstone® collections, Supremo™ is heat, stain and scratch resistant, in full compliance with Caesarstone’s quality and global environmental standards.

“Supremo™ was created in response to the growing demand for more luxurious, premium quartz surfaces. Over the past year we have refreshed our brand portfolio, resulting in four distinctive Caesarstone® brand collections – Classico™, Supremo™, Motivo™ and Concetto™. This allows us to expand and focus our product portfolio, developing design collections to better meet specific customer needs within the market“, says Andrew Dixon, Sales and Marketing Manager.

“We identified the opportunity for a new premium collection, strikingly different from any other offering. Consumers are now so familiar with the superior properties offered by Caesarstone® quartz technology, so Supremo™ will appeal to those early adopters who aspire to break new ground with a distinctive one of a kind look.”

The Supremo™ Collection will be available in selected retail showrooms nationwide from early September and also on display in your nearest Caesarstone® showroom. To locate your nearest kitchen showroom location simply go to the “where to view” on the Caesarstone® website and select Supremo™.

Contact Details:

For more information, please contact

Linda Hannah – Marketing Communications Manager

02 8197 4900 or 0408 973 276

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Winson Tan‘s collection incorporated layered, transparent fabrics and an aquamarine, orange and light pink palette, resulting in clinging, elegant garments with a retro twist.

Crystal Tsoi‘s work played with classical cuts subtly including unexpected details. Asymmetrical skirt and dresses and rich, dark tones contributed to create an edgy elegance.

Ayaka Ichikawa’s pieces made use of clean, minimalist structures and exaggerated volumes. Left-right contrasts and alternating fabrics injected texture and dynamism into the garments.

Gabriel Lee concluded the show with a whimsical collection of more formal garments, featuring lengthened, open jackets and dresses and a palette of light peach and cream colours. 

What you do: Executive Chairman, Linen House

Your latest project: Expanding Linen House presence in America

What is your favourite…

travel destination: Bali

hotel/place to stay: Algonquin Hotel, NYC                            

airline: Cathay Pacific

three people that inspire/excite you:

     1) Jim Stynes

     2) Nelson Mandela

     3) John Lennon

design classic: Jaguar sports car

new design: Jaguar XKR

meal: Duck Cassoulet   

restaurant: Donovan’s              

drink: Beer

bar: Hotel Brighton

gallery/museum: Metropolitan Museum of New York

book: The Untouchable, by John Banville

item in your studio: Photo of St Kilda Football Club 66 Premiership

artist: Salvador Dali

piece of technology: iPhone

creative philosophy: If you believe in something don’t be afraid to back it

A necessary structural upgrade was to adress the kitchen’s position as thoroughfare – designer Michael Bechara says that “Through joinery design and placement I eliminated this issue by formalizing the kitchen area, whilst still maintaining a strong link between the living and kitchen.”  Cantilevered cabinets under the benches and overhead cabinets across the length of the room improved it’s functionality, whilst textured blue-grey tiles give a rich, earthy feel to the splashback and emphasise the luminosity of the white, well-lit space.

The fit-out demonstrates sensibility to the original palette and an understated elegance, as Bechara observes, “the materials, textures and colour schedule reflected both the existing structure and also complimented my client’s existing furnishings and aesthetic … As with all period renovations, knowing where to start and stop, so that there is a balance between new and original detail that marry rather than fight each other is key.” As such the use of Kouri Plywood, stone benches, handmade splash tiles, aged brass fittings and terrazzo floors in the bathroom reflects Bechara’s preference for materials that have a “classic, organic or bespoke quality” and that support the home’s character. 

“For me the upgrade of kitchen, bathroom and various furnishings gave this deco space a breath of fresh air” comments Bechara, “the mix and variation of materials made this home a special project to be part of. Although the intervention was quite major, the result is a renovation that is sympathetic to the existing structure and a sense of harmony between the new and the existing elements of the deco apartment.”

Photography: Justin Alexander

Michael Bechara Design

The rural-born photographer has come a long way in the past decade, during which she has worked extensively overseas and developed a strong following both domestically and internationally. This show marks her fourth in Perth in as many years, with interest in her work growing on each occasion. 

New York Stories will be on exhibit at the Fremantle Arts Centre, Perth, from 22 June to 8 July.

Kathryn Sprigg

“Each piece I design has to engage me emotionally” states Factor, “I have to look at it and feel happy that it exists. My creations need to have a calming effect; from simple, elegant proportions, lack of superfluous detail to a bright splash of colour. Just as important, each of my designs have to be crafted from ethically sourced and sustainable materials.”

Each Factor Design piece is made to order, for further information visit their website. 

Whilst the shuffling of areas has rejuvenated the space and capitalised on the window-side and balcony dining areas, care has been taken to preserve the building’s original appeal. Removing the gauzy drapes showcases the etched-glass windows, and the brasserie’s traditional elegance lives on in clean white walls, solid oak tables and vintage Fritz Hansen chairs. Artworks curated by Utopian Slumps director Melissa Laughan punctuate the surfaces, and part of the restaurant’s philosophy is to change artwork regularly to keep the aesthetic fresh.

The new bar offers a slightly more casual counterpoint with it’s deco style brass and mirror finishes, and a combination of functional and whimsical illumination gives different areas varied lighting nuances. 

The food has also seen a renaissance under the deft care of head chef Jake Nicolson and Melbourne Pub Group’s renowned chef / director Paul Wilson. With a ‘pacific rim’ inspiration the dishes are both ambitious and intriguing, drawing on asian, indigenous and modern american palates. 

Paul Wilson explains that “the menu will centre on our custom-designed Japonesque Robata grill and unique aromatic fuels like binchotan, eucalyptus, Mallee oak, apple wood, mesquite, hickory and iron bark.”  Said menu is divided into Raw and Preserved Foods; Global Street Food; Hot, Cold and Spicy; and Circa Yakitori, and many of the dishes are available in small, medium and large sizes. Ingredients are sourced locally and range from ‘log-grown’ shiitakes to wattle seeds and native thyme, ensuring complex, adventurous flavours.

The wine list has retained the original Circa’s breadth, and an impressive 27 wines are available by the glass. To sweeten the experience all the more, portions are generous and prices reasonable, precluding pangs of hunger and a skinny wallet on the way home. 

Circa

With a programme ranging from the oldest theatre in Australia through the Federal Court of Australia to the cutting edge, award-winning Ingkarni Wardli (the new Faculty of Engineering, Computer & Mathematical Sciences building at the University of Adelaide), Open House presents an unprecedented opportunity to engage with and appreciate the city’s built environment and trace the trajectory of architectural evolution throughout history.

Director of History SA, Margaret Anderson, said: “Adelaide is known for its striking heritage architecture, but Open House Adelaide will challenge long-standing perceptions of the city by also showcasing stunning cutting-edge buildings.  We are excited that this event adds a dynamic new dimension by linking Adelaide’s history and heritage with contemporary design and innovation.  We hope that South Australians make the most of this unique opportunity to see behind the facades of our local architectural gems”.

Event programs are available state-wide or downloadable here.