About Habitusliving

 

Habitus is a movement for living in design. We’re an intelligent community of original thinkers in constant search of native uniqueness in our region.

 

From our base in Australia, we strive to capture the best edit, curating the stories behind the stories for authentic and expressive living.

 

Habitusliving.com explores the best residential architecture and design in Australia and Asia Pacific.

 

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Habitus Loves
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Accessories

Habitus Loves…Christmas

Tri-Cut, Cir-Cut and Rec-Cut Vase from VELA

A geometric contrast to the bouquet of flowers they hold, these vases from Vela are both sculptural and austere. Made from powder-coated aluminium, the slim hip bunches the flowers while the base is spacious for stems and water. VELA  

Tribeca Planter by Arko

With the ability to bring greenery and wellbeing into indoor spaces, the Tribeca range also acts as a privacy screen and space division solution in the form of a tranquil vertical green wall. Available in a textured black or white UV-stable finish, its versatile design ensures that it can fit into any interior. Arko Tribeca Planter 1

Sonos One Limited Edition In Collaboration with HAY

Defining the relationship between sound and home design, the superior speaker by Sonos exudes a room-filling sound and fits anywhere. Equipped with Amazon Alexa voice controls, Sonos One is the epitome of the brands' shared values of accessible and innovative design. Sonos  Hay for Sonos Limited Edition group

Nizwa Chest of Drawers in Jade by Living Edge

Inspired by the rounded decorative parapets of the Nizwa Fort in Oman, the set of ombré drawers evolve with sunlight. The soft-close piece is crafted by hand-shading the dyed Italian maple veneer to achieve 108 individual elements of solid brass, copper or nickle with 118 maple veneer plants per piece. Nizwa Chest of Drawers Living Edge Living Edge  

The Cane Lounger Natural/Natural by Worn

Handmade in Indonesia using non-chemically treated materials sourced from sustainably farmed plantations, The Worn Cane Lounger features a natural woven cane seat and back with rattan side and back panels. Worn  

JUTA Oval Serving Platter by Casa e Cucina

Warm with a metallic accent, Casa e Cucina's collection for Christmas is a mixture of unusual textures that blend in beautifully with Australian natives. Casa e Cucina  

Dots Champagne Flute by Bomma from Spence and Lydia

Truly setting the scenes for a celebratory Christmas, the Bomma Dots Champagne glasses have a cylindtrical body adorned with dots ad dashes. Crafted from fine crystal, it has a slender stem but robust base. Spence and Lydia  

Push Coffee Maker Designed by Mette Duedahl for Lightly

The Nordic-inspired unique coffee maker is made out of stoneware, giving the jug a soft and tactile touch. Functional for brewing pressed coffee, tea, or used as a water carafe, the contemporary design is even more perfectly paired with the push mugs. Lightly  

Jac + Jack x Mud

Decorations perfect for Christmas, Jac + Jack teamed up with Mud to create three beautiful bauble colours and shapes.

Mud x JJ  

Satin Tray by Mingardo from Hub Furniture

A simple geometric motif, the Satin Tray is highly reflective and made purposely to support impression marks and signs during its use. Hub Furniture

W102 Adjustable Desk Lamp Designed by David Chipperfield from Euroluce

Comprising of a forged copper base, spun copper shade and stems, the lamp form not only allows for smooth movement of the arms but also has a solid brass LED dimmer switch located on its base. Eurolace abc
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Fixed & Fitted

A Complete Garage Overhaul With Covet

Who would have ever thought that the word breathtaking and garage would be used in the same sentence? Normally considered as a typical utilitarian space with little thought given to interior aesthetics, it is no surprise that this softly illuminated garage stands starkly from the rest. The underground five-car garage space in Sydney not only resembles a luxury car showroom but also looks as though it can be nicknamed ‘the Batcave.’ Designed by Kenstrom Architects and brought to fruition by Beebo Constructions, the garage features Covet’s Ever Art Wood battens and concrete terrazzo overlay. Lined with the Kabebari Battens from Covet’s Ever Art Wood collection and backlit to create a soft and welcoming space, “it’s a shame that the garage is underground and away from public view,” says Anthony Scott, Covet’s director. Covet Garage Kernstrom Architects garage space Specifically, the Ever Art Wood Battens are aluminium with photorealistic film applied to suit the underground environment. An appropriate solution to prevent mould from growing as there is a lack of natural light, the aluminium battens are also maintenance-free, fire-rated and lightweight and have been designed to directly be fixed onto structures with hidden screws. With a photorealistic timber finish, the exterior-grade Covet batten exudes a similar feel to real timber. Replacing large format tiles traditionally present in garages, Covet concrete overlay enabled Beebo Constructions to achieve a join-free floor surface. From the way that it has been hand trowelled and finished with a low sheen, the bespoke and hand-poured Terrazzo Overlay has remarkable strength and posed as an ideal solution for a garage application. Covet Garage Kernstrom Architects curved wall and concealed doors Setting new benchmarks across the architecture and design industry, the space is curved with walls, hidden doors and is an exemplary result of designing with great attention to detail. Showcasing technical advancements of Covet’s products, the garage proves how Covet’s products can provide new opportunities for architects and designers alike. Covet covet.com.au Photography courtesy of Kenstrom Architects Covet Garage Kernstrom Architects details and back lighting Covet Garage Kernstrom Architects handle details We think you might also like Lexus Design Awardabc
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A Strong Design Concept Drives Holistic Architecture And Interiors

The ‘fold and frame’ concept evolved from Sydesign’s architectural response to the brief and the site, which Lot 1 Design developed further through the interiors. The result is holistic architecture and interiors, and seamless indoor and outdoor spaces. The client’s brief asked for a house that would see their three children, aged 4 to 11, through their school years. They wanted lots of natural light and a direct connection between internal and external spaces, as they’re an active family who like to spend time outdoors and to entertain family and friends. Located on a long east-west site, the house has a view to the north of Hen & Chicken Bay on Parramatta River. “The architectural concept and design evolved in a way that allowed the structure to fold around the northern aspect of the site,” says Shady Younes, design director of Sydesign. The two-storey house folds around a deck, pool and garden along the northern edge of the property, bringing daylight into almost every room, creating a direct connection between internal and external living spaces and providing upstairs rooms with a view of the river. The architecture itself also has a sense of folding as the exposed metal structure and timber cladding frames the glazing to articulate each space. Preston House Sydesign Lot 1 Design CC Katherine Lu living dining and kitchen There are framed views of the pool from the entrance before the hallway wraps around the glazing and opens to the living, dining and kitchen. Sliding glass doors open the internal living area to the outside, and an alfresco kitchen and dining at the rear of the property faces the deck, garden and pool. Upstairs, the master bedroom has a balcony looking out to Hen & Chicken Bay, and the three children’s bedrooms and rumpus room have full-height glazing for northern light and views. Lot 1 Design continued the fold and frame concept through the interior detailing, furnishings and artworks. “All design decisions were influenced by the concept in order to achieve a cohesive and connected design throughout,” says Tammy Miconi, principal of Lot 1 Design. Scyon cladding folds from the external façade into the internal entry wall. Black metal frames the base of the island bench and cooking zone in the kitchen. It folds around the fireplace and frames glass panels in the bathroom. Plywood boxes provide wall shelves in the walk-in pantry, and the children’s wardrobes have strand-board boxes at the base. Preston House Sydesign Lot 1 Design CC Katherine Lu pantry and back kitchen Preston House Sydesign Lot 1 Design CC Katherine Lu outdoor kitchen dining bbq area Three zones of cooking and working spaces – the kitchen, walk-in-pantry and outdoor kitchen – cater for the client’s love of entertaining. Recycled bricks provide a raw and robust backdrop to the indoor and outdoor kitchen and living areas, and white joinery, walls and ceiling accentuate the black framing throughout. “We pride ourselves on creating homes that are an extension of the people that live in them. The home is functional, robust and aesthetically engaging, giving the clients longevity for their growing family and enabling them to maintain a connection with one another whether they are entertaining together, spending time alone or attending to everyday rituals,” says Tammy. Sydesign sydesign.com.au Lot 1 Design lot1design.com.au Photography by Katherine Lu Dissection Information Dining and coffee table from Tait Outdoor sofa and chairs from Jardan Sofa and rugs by Armadillo Dining table from The Look Of Timber Bedside tables supplied by Grazia & Co Bar stools from Cult Design Artwork by Leila Jeffreys Cockatoo and Olsen Gallery Preston House Sydesign Lot 1 Design CC Katherine Lu pool and backyard Preston House Sydesign Lot 1 Design CC Katherine Lu floor to ceiling pool doors Preston House Sydesign Lot 1 Design CC Katherine Lu hallway and pool Preston House Sydesign Lot 1 Design CC Katherine Lu stairs and wall art graphics Preston House Sydesign Lot 1 Design CC Katherine Lu master bedroom Preston House Sydesign Lot 1 Design CC Katherine Lu bathroom Preston House Sydesign Lot 1 Design CC Katherine Lu bedroom balcony We think you might also like Architecturally-Designed Beach Side Abodes That Stole Our Imaginationabc
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Design Miami: The Four-Day Design Destination

Occurring alongside the Art Basel in Miami every year, Design Miami is regarded as a significant global forum for design. Each year, the four-day event draws together some of the most distinguished and authoritative gallerists, designers, collectors and design fraternity aficionados. At its core, it features the world’s top galleries who, collectively, present a tightly edited exhibition of twentieth and twenty-first-century furniture, lighting and art. Positioned as a high-end design fair and commercial marketplace, Design Miami is also marketed as a forum that seeks to “broaden awareness of modern and contemporary design, fuel the market for collectible design, and provide an exciting yet accessible destination for collectors and enthusiasts alike.” [caption id="attachment_84358" align="aligncenter" width="1170"]Design Miami | Habitus Living Title Seduction Pair by Najla El Zein at Friedman Benda.[/caption] This assertion is underscored if one were to look at just the numbers alone. The work this year represented 278 designers from 12 different countries with over 400 debuting works on show and talks with over 50 panellists from a vast range of disciplines. This year’s show included work that pushed the boundaries of material possibility, presenting techniques and philosophies that will no doubt extend an influence on the broader design community. Marcin Rusak’s debut collection at Sarah Myerscough Gallery included furniture made of discarded flowers bound in resin. Todd Merrill gallery presented air-inflated metalwork and Théophile Blandet’s show at Functional Art Gallery celebrated plastic in many forms - a material that the designer believes will not exist in the near future. [caption id="attachment_84352" align="aligncenter" width="1170"]Design Miami | Habitus Living Foam Series Sofa set by Sang Hoon Kim at Cristina Grajales Gallery.[/caption] The other dominant theme this year was one of imperfection. Boundaries were looser - the energy more relaxed and playful. One could argue that the general whimsy could be in response to the current state of (tumultuous) global, and political state of affairs. From unrefined ceramic works to cartoonish objects d’art (works by Jasmin Anoschkin and Porky Hefer) to funky lighting (in particular, a lamp featuring 54 multi-coloured bendable arms by Gaetano Pesce at Salon94 for one) and Sag Hoon Kim's four-seat foam sofa. The trend seems to be stronger than years past, with a proliferation of whimsical work taking many forms. In contrasting style, a number of established galleries presented an extensive representation of 19th and 20th-century classics from the likes of Jean Prouvé, Charlotte Perriand and Pierre Jeanneret. A major installation at the show, which garnered significant attention was Galerie Patrick Seguin’s full-scale Jean Prouvé 6 x 6 Demountable House from 1944, underscoring Prouvé’s architectural adaptability. Gallerists argued that this retrospective bent draws on an unconscious desire for the relative security of design tradition. [caption id="attachment_84350" align="alignnone" width="1170"]Design Miami | Habitus Living Airline Armchair by EM Weber courtesy of Peter Blake Gallery.[/caption] One cannot truly estimate, how far these - and other - themes and threads will ultimately influence the global design scene. What is clear, however, is the continued interest that the show drew in its 15th year and the growth of the genre.  Design Miami designmiami.com [caption id="attachment_84356" align="aligncenter" width="1170"]Design Miami | Habitus Living Soap Table by Sabine Marcelis at Etage Projects.[/caption]   [caption id="attachment_84352" align="aligncenter" width="1170"]Design Miami | Habitus Living Four Seat Sofa Set by Sang Hoo Kim at Cristina Grajales Gallery.[/caption]   [caption id="attachment_84351" align="aligncenter" width="1170"]Design Miami | Habitus Living Flowerpot Screen by FOS at Etage Projects.[/caption]   [caption id="" align="aligncenter" width="1170"]Design Miami | Habitus Living Kurimanzutto courtesy of Anita Gates.[/caption]  abc
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The VOLA Legacy – 50 Years And Beyond

The celebration marking the 50-year milestone of VOLA saw 150 international architects from around the world meeting the brand’s home of Denmark, looking back on a five decade legacy of design, and forward to the future. Architects and designers from Germany, Austria, Switzerland, Holland, Belgian, Sweden, Japan, US, and of course Australia were invited to experience a design and cultural program curated by VOLA. The lucky guests were treated to an architectural tour of Aarhus, the European Capital of Culture in 2017, which included the Aarhus Townhall designed by design legend Arne Jacobsen, as well as a tour of the iconic VOLA factory and academy in Horsens. Not simply an occasion to take in the design sights, the special visitors were also able to take in a series of architectural talks at the ARoS Art Museum, including Kim Holst Jensen, SHL Director and Partner speaking on the award-winning Dokk1 library, SHL partner Kasper Heiberg Frandsen who discussed the underground extension of the ARoS Art Museum and the design and lighting works of James Turrell, and Julian Weyer, Partner at C. F. Møller Architects, who spoke on the Bestseller building at Aarhus Ø. The series of events culminated in a celebratory dinner at the recently launched Aarhus International Sailing Centre with speeches from VOLA CEO Johannes Saugbjerg and Director of International Sales and Marketing Birthe Tofting. During the evening entertainment was provided by the Aarhus Symphony Orchestra, and VOLA employees who came together to sing to guests at the end of the evening. A 50-year career in redefining design is a huge accomplishment, and we’re thrilled that VOLA have reached this rare milestone. The Habitus team toast to VOLA’s success, though we all know the greatest is yet to come. VOLA vola.com/en [gallery columns="5" ids="84264,84265,84266,84267,84268,84269,84270,84271,84272,84273,84274,84275,84276,84277,84278,84279,84280,84281,84282,84283,84284,84285,84286,84287,84288,84289,84290,84291,84292,84293,84294,84295,84296,84297,84298,84299,84300,84301,84302,84303,84304,84305,84306,84307,84308,84309,84310,84311,84312,84313,84314,84315,84316,84317,84318,84319,84320,84321,84322,84323,84324,84325,84326,84327,84328,84329,84330,84331,84332,84333,84334,84335,84336,84337,84338,84339,84340,84341,84342,84343,84344,84345"]abc
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A Note From The Editor – Habitus #42, The Trailblazers Issue

In the spirit of the December issue’s theme, Trailblazers, I invite you to consider the following: As architects, designers and creatives, how can we position ourselves to stand out from the crowd? Anyway, should we want to? I would suggest: Yes. Humankind is by nature creative – whether it’s our passion or profession – so it makes sense to pursue a point of difference. But I would caution against doing so at the cost of a purpose. The work of those featured in issue #42, varied and spread across the Indo-Pacific, was chosen for its unique approach to architecture and design as much as for its honest and responsive qualities. The architects and designers Habitus speaks to in the pages that ensue have caught our eye and held our attention over the years with their innovation and bespoke approach to each and every brief they receive. Whether it is an architect in Singapore who is governing his practice by a “design and make” approach or a designer in Melbourne who has re-entered the fashion industry after a four-year hiatus with a fiery and renewed passion to highlight the importance of Fair Trade practices and sustainability. There are architects across the Region who have taken briefs too difficult for some, like turning a 24 square-foot studio apartment in the middle of the city into a spacious abode, for example, and with persistence and dedication found success. I encourage you to take a look through the issue, and hope you are inspired to determine your own point of difference, in life and in work.   Holly Cunneen Editorabc
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Places

5 Times Interior Architecture Improved Our Dining Experience

 

Caravan Hapejong, Seoul, by Flack Studio

David Flack Caravan Seoul artwork seating Launched by Aussie expats Jessica Chung and Adam Kane, Caravan Hapejong is an eclectic dining venue characterised by a quirky Australian-meets-Korean menu. In this super cute 90-square-metre eatery, you’ll find a cool, culturally twisted vibe that fits nicely into the cultural landscape of the edgy Seoul suburb. One that is known for its wildly energetic and creative arts and music scene. [gallery size="large" ids="70111,70102,70103"]
Photography by Sharyn Cairns.  Read the full story here
   

Pentolina, Melbourne, by Biasol Design

Pentolina Biasol cc Jack Lovel bar seating detial The century-old building in which the new Italian casual dining restaurant, Pentolina, is situated alludes perfectly to the history of Rome and traditional pasta making. A respectful renovation of this building sees hand-rendered concrete walls that mirror the stone façades of historic Roman laneways. [gallery size="large" ids="81980,81982,81989"]
Photography by Jack Lovel.  Read the full story here
   

Social at Verandah, Sydney, by Luchetti Krelle

Sitting comfortably in Sydney’s CBD, Social at Verandah has already generated a lot of buzz on the local foodie scene. Just when you though Sydney’s CBD couldn’t get any more vibrant with character and exquisite flavours, this multi-faceted restaurant will excite you that little bit more. [gallery size="large" ids="75431,75432,75427"]
Read the full story here
   

12-Micron, Sydney, by Richards Stanisich

12 Microns Photography by Felix Forest Desk Evocative of place – specifically, Sydney Harbour and its surrounding bushland – 12-Micron draws on the colours, tones and textures of a Spotted Gum, exploring a uniquely Sydney interior from stone floors to floating clouds and bark like leathers. Beautifully realised, the subtle and elegantly luxurious space features careful planning to allow everyone, including staff, spectacular harbour views. [gallery size="large" ids="71907,71900,71904"]
Photography by Felix Forest.  Read the full story here
   

Domaine Chandon Winery, Yarra Valley, by Foolscap Studio

Domaine Chandon Photography by Tom Blachford Bar Seating Situated in the Yarra Valley, the site’s stunning natural environs and changing view over the seasons were a natural starting point for Foolscap’s design scheme. Views of the incredible landscape were a natural starting point for considering the visitor experience, the range of which will traverse loyalists and locals, diehard food and wine thrill-seekers, ‘gramming millennials and new discoverers alike. [gallery size="large" ids="72099,72097,76570"]
Photography by Tom Blachford. Read the full story here
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Architecture
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Homes

History Reinvented In House With A Loggia

History holds many lessons for architects who often search deeply and broadly for inspiration in creating spaces that delight. In the case of RT+Q Architects, a Singapore-based architecture firm led by Rene Tan and TK Quek, 16th-century Venetian architect Andrea Palladio’s villas provided the cues. Known for starting a style based strongly on the formal classical temple architecture of the Ancient Greeks and Romans, Palladian Villas – as Palladio’s domestic constructs were known as – sometimes featured loggias. These recessed porticos are essentially rooms or spaces that enjoy open yet protected access to the elements. RT+Q Architects’ House with a Loggia is crowned by an appropriated version of this datum. It is experienced like a delightful surprise: up a basement entry and past the living and dining space, capped at the other end by an elegant pool and verdant greenery as the view beyond. A careful composition of doors and windows animate the two-storey façade from the exterior. Timber cladding echoes its tropical locale and gives warmth to the foil of glass and metal, while wood flooring within and at the loggia continues the material language from inside to out and vice versa. House with Loggia RT+Q Architects CC Albert Lim exterior profile building greenery “The timber cladding softens the house, and the perforated ‘eyelash’ articulates the volume of the loggia,” describes designer Pang Chommanard, referring to the metal rims that border the loggia as well as the balcony at the attic. Structure-wise, the double-volume space was an inventive response to building regulations. “Instead of following the 45-degree-envelope profile for most top levels, we set the attic floor further back to emphasise the first storey portal frame and double volume at the front of the house; we saw it as an opportunity to apply lessons learnt from the past and to refer without quoting,” explains Rene. Another notable gesture happens on the interior. One side of the house peels slightly from the party wall to create a light-and-air well that stretches from the basement to the attic storey. “We tried to un-semi detach the semi-detached house. The house was planned in such a way that all common and private spaces will get natural light and air from all sides,” says Rene. House with Loggia RT+Q Architects CC Albert Lim winding staircase perforated balustrade Steel and glass boxes playfully interject this atrium’s void, allowing occupants to “play peek-a-boo across all levels of the house”, describes Rene. “They also act as ‘breakout’ spaces within different rooms.” One such ‘breakout’ space in the master bedroom extends out into the loggia, providing three-dimensionality to the loggia’s mien. The spatial theatrics is well thought-out for the three-generational family who lives here. The parents and grandmother stay on the second storey while the third storey is the territory of the family’s three daughters. Connectivity between floors in a multi-level house is often overlooked. Here, there is privacy for individuals but also indirect communication guided by the architecture as the occupants go about their daily rituals. By the common areas, the loggia is designed to facilitate the sheltered play of the children outdoors. As always, RT+Q Architect’s creations are perfectly crafted and proportioned, with precision rendered from large gestures to the tiniest of details. While the eventual form is more modernist than Renaissance, the exacting rigour taken to create the home too takes a page from Palladio. RT+Q Architects rtnq.com Photography by Albert Lim Dissection Information Hansgrohe bathroom and kitchen fittings and fixtures from Volume Five Sockets and Switches from Legrand Interior Tiles from Rice Fields and Hafary Joinery from Shan Yang Wood Products Kawajun hardware from Bretz & Co Decorative Lighting by E-Lume Exterior Burmese Teak timber cladding and interior engineered timber flooring from ARCFLOOR Sahara timber decking from Perswood House with Loggia RT+Q Architects CC Albert Lim double height interior atrium We think you might also like The Kasturiabc
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Architecturally-Designed Beach Side Abodes That Stole Our Imagination

 

Newport House by Koichi Takada Architects

Koichi Takada Architects Newport House cc Tom Ferguson exterior pool This waterfront retreat designed by iconic Australian-Japanese architect Koichi Takada is the epitome of an Australian dream home, adorned with a private beach, garden and open-plan living. Koichi, in collaboration with JGroup Projects & Development, quickly uncovered that the concept needed to reflect the owner’s love of the outdoors; an openness of space and beach lifestyle, offering constant opportunities to connect with nature. Respecting the site’s natural ground levels, Koichi and team created a series of artificial rock or floating platforms that are presented as a sequence of cantilevered concrete slabs that float above recessed stacked-stone cladded podium. This maximizes the sense of levitation as the slabs are elegantly tapered to a finer point water-wards, with the living and dining area particularly designed to appear as a floating box. [gallery size="large" ids="74391,74397,74395"]
Photography by Tom Ferguson.  Read the full story here
   

South Coogee House by Madeleine Blanchfield Architects

South Coogee House Madeleine Blanchfield Architects cc Robert Walsh streetscape This bright and breezy family home is a regional reference to Brazilian architect Marcio Kogan filled with sunshine, fresh air and open spaces. Located in Coogee, Sydney, this residence is light, open and spacious – just what the clients ordered. Designed by Madeleine Blanchfield Architects and home to a family with two young boys, it reflects both Madeleine and the client’s desire for bright, breezy spaces, knowing how they positively contribute to wellbeing. “I’m very much interested in how spaces feel and how you experience them as you move through a house as opposed to architecture as an object,”says Madeleine. [gallery size="large" ids="78311,78312,78309"]
Photography by Robert Walsh.  Read the full story here
   

Siglap Plain by HYLA Architects

Siglap Plain HYLA Architects cc Derek Swalwell pool
Siglap Plain in Singapore’s east stands out as a beautiful construct that balances the need for connection and privacy.
This residence – not technically beach side but perhaps Singapore's equivalent – falls in line with what architect Han Locke Kwang calls his “courtyard houses” – buildings designed to enjoy exterior spaces while simultaneously finding privacy. Outside Siglap Plain, one gets a suggestion of its spaces, but not of its activities. “By enclosing the outdoor areas, we reclaim a bigger share of the outdoor area into the house. For most houses the external spaces are all around, but they are outside, so here I blur the distinction between inside and outside,” says Han.
[gallery size="large" ids="73562,73559,73564"]
Photography by Derek Swalwell.  Read the full story here
   

Compact Coastal Home by Topology Studio

Compact Coastal Home Photography by Paul Hermes exterior Compact Coastal Home sits on a street lined with others built in the Victorian era. The new design is both sensitive to this era’s scale and materials, while also taking cues from the 1950s renovated version. As both the client and the inhabitants of this home, Topology Studio was able to experiment with the build for this coastal home in South Melbourne. “We were in a unique position to really test our design ideas in both the unconventional spatial arrangement as well as details,” explains Amy Hallett of Topology Studio. “We are a family of four with two small children, and we have created a family home and studio within a very compact footprint of 150m2 total floor area.” [gallery size="large" ids="70440,70445,70438"]
Photography by Paul Hermes.  Read the full story here
   

Killcare House by Decus Interiors

The marriage of texture, rich materials and a strong interior influence from European Chateux, define the look and feel of this Australian beach house in Bouddi National Park. Designed by architecture practice Square Design, Decus Interiors were co-opted onto the design team once construction had begun. As the project evolved, so did their involvement, and ultimately the team took on a significant portion of the design scope which included the design evolution of the kitchen, bathrooms and joinery. [gallery size="large" ids="71326,71333,71331"]
Photography by Anson Smart.  Read the full story here
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Habitus #42 Will Stop You In Your Tracks – And It’s On Sale Soon

Who are the architects, designers and creatives that – for now more than ten years of Habitus – have caught our attention, and held it? That is a question that the latest issue of Habitus, the Trailblazers issue, aims to answer. On Thursday 6 December we celebrated the release of issue #42 alongside Vitra Design Museum’s Miniatures Exhibition hosted by Living Edge. For the first time on Australian shores the Miniatures Exhibition is comprised of 100, iconic Vitra chair designs released between 1850 and 1990. At a scale of 1:6 and made by the same Vitra craftsmen that make the life-size pieces, this exhibition has travelled the world igniting the hearts of die-hard design enthusiasts. It’s a testament to the legendary Swiss company’s ability to push the boundaries of creativity and design to reach new heights. Which is exactly what we strived to achieve within the Trailblazers issue. We looked to communicate projects and people that embodied a unique approach to architecture and design as well as honest and responsive qualities. It was no small feat to collate and consolidate the outstanding, thought-provoking, and innovative work coming out of the Indo Pacific. Drinks were in order. We’d like to thank everyone who contributed to this issue, which extends from the writers, photographers, designers and our new Associate Art Director, Betty Wong, to the architects and Design Hunters who feature within, to our clients and avid supporters. We’d like to extend a special thanks to the team at Living Edge for hosting the launch party; for sharing with the Habitus entourage the Vitra Design Museum’s Miniatures Exhibition; and of course for their continued support over the years. Habitus #42, the Trailblazers issue, is on sale 13 December [gallery columns="5" type="rectangular" ids="84050,84051,84052,84053,84054,84055,84056,84057,84058,84059,84060,84061,84062,84063,84064,84065,84066,84067,84068,84069,84070,84071,84072,84073,84074,84075,84076,84077,84078,84079,84080,84081,84082,84083,84084,84085,84086,84087,84088,84089,84090,84091,84092,84093,84094,84095,84096,84097,84098,84099,84100,84101,84102,84103,84104,84105,84106,84107,84108,84109,84110,84111,84112,84113,84114,84115,84116,84117,84118,84119,84120,84121,84122,84123,84124,84125,84126,84127,84128,84129,84130,84131,84132,84133,84134,84135,84136,84137,84138,84139,84140,84141,84142,84143,84144,84145,84146,84147,84148,84149,84150,84151,84152,84153,84154,84155,84156,84157,84158,84159,84160,84161,84162,84163,84164,84165,84166,84167,84168,84169,84170,84171,84172,84173,84174,84175,84176,84177,84178,84179,84180,84181,84182,84183,84184,84185"]abc
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New Spanish Furniture Design From Masquespacio

If you’re not familiar with Masquespacio, make sure you visit their website pronto. The Valencia-based multi-disciplinary design studio is creating quite the buzz with a portfolio full of explosively colourful interiors, art direction, furniture and lighting designs. Their hospitality and retail fit-outs are the stuff design bloggers and Instagrammers live for, such is the appeal of their signature energetic style. Take the time to dig deeper and you’ll discover a customised approach and strict methodology informed by a conceptual rigour well aware of its influences, from the graphic boldness of the Memphis Group to all the fun of Tropicalismo. For their most recent furniture and lighting collections, the studio has partnered with Houtique, a furniture company also based in Valencia, and the ongoing collaboration will see Masquespacio’s Creative Director Ana Milena Hernández Palacios and Marketing Director Christophe Pennase direct Houtique’s visual strategy as well. [gallery columns="1" size="large" ids="83407,83408,83409"]
Wink Houtique
Core to their vision is the idea each item should be sexy, luxe and fun and so far, they’ve delivered the goods. Their wall and standing Wink lamps are beguiling in appearance, with candy-coloured fringing suspended as seductive ‘eyelashes’ beneath the gold-plated almond-shaped ‘eye’ fitting. While the new Arco chair is a high-end tribute to the 1970s, taken to the next level by a gold-plated frame and rich velvet upholstery. It’s fair to say all three pieces are unconventional statement items that buck any of the current trends for minimalism. As Christophe explains, “We just want to change the world that little bit without being too concerned about appearing commercially attractive.” Likewise unconventional is Chachacha, a ‘dancing’ version of the Pill stool that could put a smile on anyone’s face. It’s flirty fringing is completely charming, matched only by the maximalism of the Mambo armchair, which features a metal base, velvet upholstery in three different shades and fringing along the backrest’s base, making it seem more art object than chair. With Ana and Christophe looking to extend the Houtique brand by inviting other designers to create furniture collections, the prospect of how they’ll top a winking lamp and stool with rhythm is well worth anticipating. Masquespacio masquespacio.com [gallery columns="1" size="large" ids="83411,83414,83412"]
Arco Houtique
[gallery columns="1" size="large" ids="83416,83415,83417"]
Mambo Houtique
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Becoming Limitlessly Zen With Apaiser

Since ancient Greek and Roman times, the act of bathing has been celebrated as a technique to slow down time and encourage restoration from rigorous tasks of daily life. Often regarded as a meditative experience, it was only fitting for apaiser to release its Zen collection. Taking cues from the ancient art of meditation and the practice of Buddhism, apaiser’s collection is based on principals and a design narrative that allows users to reach a peace of mind and balance – physically, mentally and spiritually. Amongst this collection, the Zen Oval Bath is the epitome of sculptural balance. Between hard and soft lines and the choice of 12 natural colours, it adds elegance to any bathroom interior. The pared-down form of the Oval Bath exudes a seamless flow, one that echoes the purity of nature, as it resembles rippling water. Additionally, the Zen Oval Bath has a delicate geometric base and bevelled design detail on its curved edge. Derived from reclaimed marble that is synonymous with apaiser, the bath is as high performing as it is durable. Made out of apaiserMARBLE, the bath is a true testament to meticulous artisan and craftsmen who have perfected the trade over many years. Outperforming conventional bathroom materials, apasierMARBLE is made out of pure Australian minerals and reclaimed marble. Through the advancements of technology, it is also stain-resistant, therefore, poses as the ideal choice for hotels, resorts and residences worldwide. Truly an indulgent and luxurious bathing experience, the Zen Oval Bath enables users to re-energise and rejuvenate. apaiser apaiser.com Apaiser Zen Oval Bath tilesabc