For months now we have been working on the biggest issue of the year, the Habitus House of the Year special edition, which features an incredible array of projects from across the Indo Pacific.
From family homes to sprawling holiday houses, renovated townhouses to sustainable tiny dwellings, the houses in the Habitus House of the Year line-up express the diversity of what it means to live today. Habitus has always sought out and curated the most incredible homes, people and products, highlighting the variety of cultures and climates from around the region. This unique lens is what continues to set Habitus apart, offering a perspective into architecture and design, which shows a way of living that is grounded in regionality.
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As the magazine makes its way to your doorstep and onto shelves, we've also been working on a special video series.
While the projects are diverse, we have drawn out four key themes that speak to our current point in time and how they are shaping what it means to live in design. This video series takes our singular approach even deeper, considering how bigger ideas are shaping design in the Indo Pacific.
Expect to see some new and familiar faces, as architects and jury members share their insights:
– Alexander Symes (Alexander Symes Architect)
– Howard Tanner (Consulting architect and Habitus House of the Year juror)
– Kim Bridgland and Aaron Roberts (Edition Office)
– Virginia Kerridge (Virginia Kerridge Architect)
– David Clark (Design editor and Habitus House of the Year juror)
– Matt Krusin (Tobias Partners)
– Renato D'Ettorre (Renato D'Ettorre Architects)
– Plus many more!
The episodes will officially kick-start from October 14, but here's a sneak peek below:
Sustainability is an imperative of our time. In this episode, we consider the role that architecture has to play in creating environmental solutions that make our homes more comfortable, durable and future-proofed.
Buildings should endure, passing from one generation to the next. Through an approach grounded in timeless design and quality, this episode explores what design longevity means. High-quality materials, details that don't shout, design that looks beyond mere trends – homes that can adapt and even be adapted.
The benefits of connecting to greenery and being surrounded by natural materials have come to the fore, especially throughout Covid. Our homes are sanctuaries, offering us respite and refuge. In this episode, we examine how biophilic elements in our homes are part of the wellness revolution.
Supply chains have been drastically affected throughout the pandemic. But through the process, there has been a resurgence in working with local makers and manufacturers, relying once again on local skills and knowledge.
A New Kind of Green
Sustainability is an imperative of our time. In this episode, we consider the role that architecture has to play in creating environmental solutions that make our homes more comfortable, durable and future-proofed.
Future Monuments
Buildings should endure, passing from one generation to the next. Through an approach grounded in timeless design and quality, this episode explores what design longevity means. High-quality materials, details that don't shout, design that looks beyond mere trends – homes that can adapt and even be adapted.
The Wellness Revolution
The benefits of connecting to greenery and being surrounded by natural materials have come to the fore, especially throughout Covid. Our homes are sanctuaries, offering us respite and refuge. In this episode, we examine how biophilic elements in our homes are part of the wellness revolution.
Return to the Local
Supply chains have been drastically affected throughout the pandemic. But through the process, there has been a resurgence in working with local makers and manufacturers, relying once again on local skills and knowledge.
Bower, Manly, photo by Tom Ferguson[/caption]
Coastal Pavilion, photo by Tom Blachford[/caption]
Bower, Manly, photo by Tom Ferguson[/caption]
NNH Residence, photo by Peter Clarke[/caption]
Coastal Pavilion, photo by Tom Blachford[/caption]
Bower, Manly, photo by Tom Ferguson[/caption]
Works – a new book by Mim Design traces her 21 Years of practice[/caption]
Mim Design
“Robust and functional materials were employed to accommodate the playfulness of young children and for durability. It is the unexpected use of colour and texture that provides a cohesive connection throughout the house, delivering a laid-back and sophisticated refuge, which excites and intrigues while fulfilling the client's brief,” says project lead 
Dark green tiles in the bathroom match the forest green of the kitchen in Wahroonga House, while the dark timber of the dining table is mirrored as the master bedroom’s bedhead, speaking to this cohesive colour and texture. Matte terracotta tiles line the floors throughout the home, including the bedrooms, a durable factor that was chosen to cope with the playfulness of children.
The clever use of colour, materials and repetition allowed for a cost-effective impact that didn’t compromise on design.
Designed to house a growing family, the living, dining and kitchen form the open central area of the home, allowing “the young family to enjoy the space with ease and comfort”. Large sliding doors were incorporated into the living room, allowing the area to connect seamlessly with the external landscaped garden, pool, and bushland surrounds.
Located in Wahroonga, the home responds to the leafy bushland of Sydney’s Upper North Shore. “The use of rich golden brown hues and the deep forest green cabinetry complement the site’s natural bushland of flora and fauna creating a unified space from the inside out,” says McFadden.
The mid-century structure of the home was also referenced in the clean lines of the white-painted timber ceiling and triangular trusses. Details such as the curved shapes in the joinery also act as “a nod to the minimalist yet playful geometry of modernist design,” says McFadden.
“A truly collaborative approach with the home owners from all involved in the design and build has contributed greatly to the successful outcome, delivering the inhabitants a home which is reflective of their personalities and love and respect for quality, timeless design,” says McFadden.
Beautiful yet durable, Wahroonga House delivers a child-friendly and financially sound home, without compromising on its bold and sophisticated aesthetic.
Project Details
Interior design — 
Clear view[/caption]
"These colours are so timely and responsive to the mood and situation we are in right now. As a result of the pandemic each of us is having a different experience – some are showing such resilience and gratitude for their own circumstances, and may be more drawn to the soft warm comforting neutrals and tactility of the 'In the Moment' palette.
"Others are needing something to help break down the feeling of rules and regulations so really fun and unexpected colour palettes from the 'Game Changer' just add some joy and a sense of newness to spaces. While others may be looking for respite and escape, which can be found with calming and reflective hues offered in the 'Clearview' theme.”
The continuum between the three palettes of Awakening – 'Game Changer', 'In the Moment' and 'Clear View' – is the depth and cleanness of the colours. As each palette explores an emotional response in the viewer, the diversity between them encompasses all feelings but also allows for a multitude of applications.
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Game changer[/caption]
'Game Changer' encapsulates the idea of newfound freedom that offers the chance to challenge the old with fresh optimism. There are powdered blues, shades of sunset with pinks and aquas, greens and mustard yellow and there is an underlying softness to the palette that gives the creams and white a beautiful resonance.
'In the Moment' celebrates nature in all its glory. Taking cues from the Australian landscape, this palette speaks of our environment with shades of rust, earthy browns, ochre and creamy greys and taupes.
[caption id="attachment_115405" align="alignnone" width="810"]
In the moment[/caption]
'Clear View' on the other hand is a sensational group of mostly blues some greens with a dash of brown. Transparent and pastel blues, opalescent teal, eau de nil and classic grey through to ink blue and forest green all represent a calm and relaxing vibe that contributes to a soothing aesthetic.
[caption id="attachment_115406" align="alignnone" width="810"]
Clear view[/caption]
What defines these palettes is the strength and clarity of the colours. They are not loud but dense shades that are saturated and complex. These are colours that will make a statement on a feature wall or be a sensation painted throughout a room or house.
A favourite for me is the 'Clear View' palette as blue has been a dominant and much-loved colour, however, there is ample choice to find a new ‘go to’ colour with pinks and greens at the top of the list.
As everyone has a favourite colour, or family of colours – here are the choices from Awakening from some of the fabulous editorial team at Indesign.
[caption id="attachment_115407" align="alignnone" width="810"]
Game changer[/caption]
Alice Blackwood, Editor Indesign
“I like the gutsy peacock blue of Haymes Awe Inspired – lots of power but still warm and rich. Also, I like the combination of Faded Blue through to In Bloom, playful, with personality, but not too pretty.”
Jarrod Reedie, Digital Content Writer
“I like the 'Clear View' palette. The Remote Green and Arboretum lay a strong foundation for the lighter tonalities to provide relief, with the blue nuances very much the salient feature.”
[caption id="attachment_115408" align="alignnone" width="1170"]
In the moment[/caption]
Aleesha Callahan, Editor Habitus
“I love the calming and textural palette of 'In the Moment' – all those soothing neutrals are just what we need right now.”
Emily Sutton, Design Product Editor
"Pick of the day: Game Changer. This collection of tones brings a muted vibrancy that instils a refreshed energy to our everyday spaces. With a playful mix of bold and subtle shades, the 'Game Changer' palette paves the way for artistic, colour-led environments.”
[caption id="attachment_115409" align="alignnone" width="810"]
Game changer[/caption]
Laura Box, Digital Editor
“I love how the 'In the Moment' palette transports me to the Catalan countryside with its calm and warming tones, particularly Haymes Sand Haze and Haymes Clay.”
And lastly from Rennie, her pick of the stand out colours from this Forecast.
“Haymes Fuzzy is the new go-to neutral for me, which kind of feels like the best ever bone colour (not grey and not yellow) just somewhere between the two. Haymes Arboretum is a deep rich forest green – while green overall is still having a moment.
"Another colour we have featured but not talked much about yet, which is going to shine through is Haymes Gumleaf Green, a beautiful silvery green, capturing the beauty of the gum leaf with a just a bit more depth to it.”
[caption id="attachment_115410" align="alignnone" width="810"]
Clear view[/caption]
Then colours like Paradise Pools, a soft clear aqua, not blue or green, has some kind of transformative effect in just making a space feel like you are wading through water on a deserted island.
Reviewing the 15th volume of the colour story from Haymes has added a little joy to working from home. It’s inspirational and shows that colour can indeed reflect and enhance our moods and awaken us to the possibilities and that’s just as it should.
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Game changer[/caption]
[caption id="attachment_115417" align="alignnone" width="810"]
In the moment[/caption]
Photography Martina Gemmola
We think you might like this story about 
This year, Cult Design is thrilled to welcome the Danish brand, Fredericia to the family. From the Spanish Collection by Børge Mogensen, an artful infusion of Iberian tradition with exemplary Danish functionality; the Ditzel Lounge Chair by Nanna Ditzel and Jørgen Ditzel, a contemporary take on the traditional easy chair; to the sculptural and expressive lighting designs from Space Copenhagen; Fredericia offers boundless design possibilities, time and time again.
An artists interpretation of the Eureka House[/caption]
“Property prices in Indonesia keep rising constantly year after year. As a direct result, we see houses in Indonesia getting smaller and smaller. The younger generations could barely afford to buy their own houses,” says Luwist Spatial director Lukie Widya.
While house prices in Indonesia are still among the most affordable in South East Asia, in 2017 Indonesia’s finance minister estimated that only 40 per cent of the population could afford to buy a home. This figure is expected to increase alongside the nation’s increasing wage disparity. As such, the demand for affordable housing in Indonesia is stronger than ever.
Roshihan, the property developer and owner of Pertiwi Land, first worked with Luwist Spatial almost 10 years ago. Since then, the team has worked on both his personal and his housing projects. He once again approached Luwist Spatial to assist on the project, giving it a brief for a compact two-bedroom home that still provided sufficient light, air, and typical living spaces, within reasonable cost.
The high front façade of the Eureka House is pristine white and minimal. Upon entering, an open plan living, dining and kitchen area, extends from the front of the house to the backyard. Paired with the common area’s high ceiling, this space optimises light and airflow.
“The open layout of the common area allows interaction between the inside and outside of the house. Someone reading a book on the backyard patio could still participate in a conversation with family members at the dining table or the living room sofa,” says Widya.
The house is predominantly white to act as a canvas to the nearby environment, says Widya, incorporating the sky, ground and surrounding landscape. “You can see this come into play when the trees cast shadows on the house exterior,” he says.
For young families or those needing an extra room, the house can also be adapted, with the high ceiling being able to accommodate a mezzanine level.
“Through Eureka House, we hope to address the common misconception among Indonesians who think a good house has to be big and expensive,” says Widya.
Architecture — 
Goodman Headquarters – The Hayesbery. By Intermain with Woods Bagot. Image by Nicole England.[/caption]
Clifton Hill House
Winter Architecture
Goodman Headquarters – The Hayesbery
Intermain with Woods Bagot
nettletontribe Brisbane studio
nettletontribe
Newman Heritage House
Peter and Jan Newman with Gerard McCann
Olderfleet
Mirvac with Grimshaw Architects & Carr
Smart Design Studio
Smart Design Studio
Commercial Architecture (Large)
Proudly partnered by 
Dexus 180 Flinders St. By SJB & Woods Bagot. Image by Derek Swalwell[/caption]
51 Langridge
SJB
Dexus 180 Flinders St
SJB with Woods Bagot
Olderfleet
Mirvac with Grimshaw & Carr
Smart Design Studio
Smart Design Studio
Commercial Architecture (Small)
Proudly partnered by 
Rosby Cellar Door and Gallery. By Cameron Anderson Architect. Image by Amber Hooper.[/caption]
Buckettys Brewery
North by North
CITIZEN Coffee Pavillion
ZWEI Interiors Architecture
Gurriny Yealamucka Health and Wellbeing Centre
POD (People Oriented Design) with Coburn Architecture
Ona Coffee Melbourne
Breathe
Rosby Cellar Door and Gallery
Cameron Anderson Architects
Sarah & Sebastian
Russell & George
Education & Research
Proudly partnered by 
Korayn Biralee Family Centre. By Brand Architects. Image by Blue Tree Studios[/caption]
Ainsworth Building, Macquarie University
Architectus
Korayn Biralee Family Centre
Brand Architects
La Trobe University Sports Park
Warren and Mahoney with MJMA Toronto
Palmview State Primary and Special School
FKG Group with MODE Design Corp
Susan Wakil Health Building
Billard Leece Partnership with Diller Scofidio + Renfro
Emerging Sustainable Architect / Designer
Proudly partnered by 
Work by Shannon Battisson (The Mill: Architecture + Design). Image by PJ Lily.[/caption]
Anthrosite
Anthrosite
David Coates
Sustainable Building & Design
Mia Radic
Talina Edwards Architecture
Shannon Battisson
The MILL: Architecture + Design
TRIAS
TRIAS
Green Building Material
Proudly partnered by 
SMaRT Apartment at Pavilions Residences. By Mirvac Design (Green Ceramics by Professor Veena Sahajwalla, UNSW). Image courtesy of Mirvac.[/caption]
AMPAN Particle Board
AMPAN
Compostable Insulation
Mycoeden & Urban Moments
Contemporary Bamboo Cladded Villa
House of Bamboo
ECOPact and ECOPact Zero
Holcim (Australia)
MondoClad
HVG Facades
SMaRT apartment at Pavilions Residences
Mirvac Design (Green Ceramics by Professor Veena Sahajwalla, UNSW)
Lifetime Achievement Award
Proudly partnered by 
Treetop House. By Peter Stutchbury Architecture. Image by Michael Nicholson.[/caption]
Lang Walker
Walker Corporation
Nigel Richmond Bell
ECOdesign Architects + Consultants
Peter Stutchbury
Peter Stutchbury Architecture
Tone Wheeler
Environa studio
Multi-residential Dwelling
Proudly partnered by 
La Trobe University North and South Apartments. By Jackson Clements Burrows Architects, Stantec & ASPECT Studios. Image by John Gollings.[/caption]
Breese St by Milieu
DKO Architecture & Breathe with Milieu Property
Cremorne Duplex
Hebden Architects
Glen Iris Garden Homes
ARKit
La Trobe University North and South Apartments
Jackson Clements Burrows Architects with Stantec & ASPECT Studios
LIV Indigo
Mirvac Design & BVN
Miller Social Housing
Stanton Dahl for the NSW Land and Housing Corporation
Public Urban & Landscape
[caption id="attachment_160631" align="alignnone" width="1100"]
Gosford Leagues Club Park. By Turf Design Studio & Kevin (Uncle Gavi) Duncan. Image by Guy Wilkinson.[/caption]
Cobar Miners Memorial
Stephen Pearse Architect
Gosford Leagues Club Park
Turf Design Studio & Kevin (Uncle Gavi) Duncan
Gunyama Park Aquatic and Recreation Centre
Andrew Burges Architects with Grimshaw with the City of Sydney
People Parkers
Alexander Symes Architect with People Parkers
Waterfall Valley Hut - Overland Track
Green Design Architects
Single Dwelling (Alteration / Addition)
Proudly partnered by 
Chelmer Flood House. By JDA Co. Image by Scott Burrows.[/caption]
Chelmer Flood House
JDA Co
Hamilton Courtyard House
Anthrosite
Light House
Alexander Symes Architect
Little Loft House
Light House Architecture and Science
Sol House
Anderson Architecture
Suburban Sanctuary
Adapt Architecture
Single Dwelling (New)
Proudly partnered by 
Garden House. By Austin Maynard Architects. Image by Derek Swalwell.[/caption]
Garden House
Austin Maynard Architects
LiveWorkShare House
Bligh Graham Architects
Off Grid FZ House
Anderson Architecture
Rainbow House
Light House Architecture and Science
The Adaptable Living Range
Breathe
Urban Green Home Build
Sustainable Building & Design
Smart Building Ideas
Proudly partnered by 
Smart Design Studio. By Smart Design Studio. Image by Romello Pereira.[/caption]
Legacy Living Lab
Curtin University Sustainability Policy (CUSP) Institute with Fleetwood Building Solutions
Olderfleet
Mirvac, Grimshaw Architects & Carr
Smart Design Studio
Smart Design Studio
Urban Green Home Build
Sustainable Building & Design
Women in Sustainability
Proudly partnered by 
Gurriny Yealamucka Health and Wellbeing Centre. By POD & Coburn Architecture. Image by Scott Burrows.[/caption]
Arianna Brambilla
The University of Sydney
Belinda Allwood & Dr Shaneen Fantin
POD (People Oriented Design)
Bonnie Herring
Breathe
Milica Tumbas
Lovell Chen
Sara van der Meer
HIP V. HYPE
Tatiana Schonhobel
Integral Group
Best of the Best
Proudly partnered by 
Sans-Arc worked closely with the clients, the owners of the ever-popular coffee spot 
Working from the back of house outwards, the project carefully considers the service areas as the first port of call. “Function was paramount to us, there was no compromising that. The space needed to be contemporary but functional,” says Jona, adding, “Our brief was very broad. But they managed to distinguish what we wanted based on what we did and didn't tell them."
While the brief was somewhat loose, Sans-Arc Studio Director 
The recycled spotted gum timber used on the counter grounds the space and was a necessary inclusion, as Jona says, it needed “something natural to offset all the concrete”. Finding just the right pieces and thicknesses of timber was a challenge but one which Matiya and his team relished.
Playing on light and texture, Midi is a small project with a design that speaks just loudly enough, exuding lots of details without overwhelming the senses. It’s unpretentious, just like the service and food offering.
Reflecting on the process, Matiya shares that they were, “Some of the best clients and I’ve come to realise how important the right clients are, they make the process fun and enjoyable”.
Midi has reopened and is serving takeaway coffee and food in Richmond.
Project Details
Interior design – 
Colin Wright. Spiggy Founder and Director.[/caption]
Habitus: How did the brand begin?
Colin: I worked as a designer in the UK prior to relocating here to Australia – when I arrived, I noticed that the choices for handles here were pretty limited. I saw a gap in the market for something more creative, something design-driven and better suited to the stunning architectural projects that I was seeing in Australia.
Habitus: Who were your first few collaborative partners? How did they influence your development?
I first approached Philip Watts of Philip Watts Design. I had used his products in the UK and wanted to see if we could represent him over on this side of the world. They had just started to expand throughout Europe, the Middle East and the USA, so the timing was perfect and we secured distribution for Australia, New Zealand and the South East Asia region.
Our first project together was for a collection of bespoke handles that really crossed borders from design to production – the collection was based on a sketched brief from a designer in Moscow and installed at NZ’s largest private residence in the Bay of Islands for a Russian oligarch. I spent the next few years searching for another brand to represent, something more architectural to contrast with the more sculptural form of Philip Watts Design.
I was determined for us not to be just another supplier of handles. I didn’t want to just stock us up with brands – the focus had to be based around design and designers.
[caption id="attachment_115308" align="alignnone" width="1170"]
Branch (Left) and Starburst (Right) by Philip Watts Design.[/caption]
Habitus: It seems like that first connection really set the tone for the brand. How did you keep up the momentum from there?
I eventually discovered an up-and-coming brand of the time, called Buster + Punch. Headed up by Buster Minale, an architect and custom motorbike enthusiast, I really connected with his creative process: using the techniques developed when building his motorbikes, he could transform ordinary hardware into something extraordinary. The brand has since transformed the design industry, with a growing collection of products quite literally achieving icon status. Sadly, such success is inevitably followed by many copies – while Buster + Punch continued to create new design icons, I became even more determined to represent authentic design.
H 383 R8 by Perkins & Wills for Fusital. Photography credits: Fusital.[/caption]
Habitus: There’s a lot of clarity in that mission and purpose. Simple to articulate, but certainly much more difficult to achieve in practice! How do you think this has driven Spiggy to be different to other brands in the hardware landscape?
Traditional hardware suppliers tend to represent numerous brands. While this gives you an overwhelming selection, the products tend to be significantly varied in terms of quality and standards.
At Spiggy, we have carefully selected the brands that we represent to provide a broad selection of products for a variety of applications, ensuring that every product is designed by reputable creatives and produced to the very highest quality. Keeping our brand offering to a minimum also means that we can really specialise in the brands that we represent.
Habitus: How do the designers and brands under the Spiggy name reflect its core values?
They are authentic, creative and dare to be different. In the same way that we have reconsidered the retail experience for handles (our new Brisbane showroom designed by 
FAT Lever Handle by Tom Dixon for d line. Photography credits: Tom Dixon x d line.[/caption]
Habitus: That kinetic connection really is key to interacting with architecture – it can be so visceral. What do you envision for the future of Spiggy within the Australian architecture and design landscape?
Spiggy will continue to be a ‘boutique’ hardware supplier. We are not interested in being measured by the number of products that we represent. Instead, we will continue to remain true to our core values of providing authentic, exceptionally designed, quality products, appealing to a distinguished architectural and design client base.
Spiggy
Creative Process. Photography credits: d line.[/caption]
[caption id="attachment_115307" align="alignnone" width="1170"]
Door Knob in Brass by Buster+Punch. Photography credits: Buster+Punch.[/caption]
[caption id="attachment_115289" align="alignnone" width="1170"]
Boole by dnd. Photography credits: dnd.[/caption]
Balancing this materiality is strong use of timber, where warm oak and painted white panelling works alongside sleek marble and plush carpets to bring the softness required in a family home.
Leaning into the home’s biophilic feel, Techñe have provided the clients with an outdoor kitchen, ensuring that entertaining is possible throughout the entire home. Matte charcoal laminate and grey stone are a continuation of the interior palette, while vertical gardens and an abundance of greenery create an urban oasis in the heart of the city.
The interior flooring is made of timber, with a pale quality that exudes elegance and class, while remaining congruent with the materials curated for Bell Street House. 
The layout distinguishes the busier areas of the home downstairs from the peaceful sleeping zone upstairs. Similarly, the rear of the home is open plan and connected, conducive to family time, while the study is positioned away from the hustle and bustle towards the front where natural light streams in via the double-glazed window.
Dover Townhouses is nestled into a heritage zone and Dood Studio responded to the streetscape specifically through adopting the silhouette of a classic single fronted Victorian dwelling, complementing the surrounding buildings. The spacing of the gables between the two homes replicates the architectural rhythm of the setting.
Though its form is in keeping with its neighbours, the façades on the two homes have a contemporary character. A darker chestnut cladding around the entry contrasts with the bleached battens floating above, creating a sense of depth. Hours of persistent detailing with respect to spacing, joins and fixing of the battens has achieved a monolithic quality. Upon entry, guests are warmly welcomed into the home by a light spaciousness prompted by the raked ceiling.
The materials selected lend a soft cohesiveness that connects zones of the home. While timber cladding punctuates the exterior façade, it also informs the interior experience through oak flooring, timber light fittings, a tailored desk and bedheads. Natural light interacts with marble, tiling and the lush textures of handpicked furnishings to produce reflective nebulous qualities that shimmer throughout.
Lines guide the eye around the home, setting the rhythm of these dwellings. The stable crisp lines of flooring, cladding and cabinetry partner with ephemeral lines created by shadows that bounce off curtains and furniture twitching gently as natural light transitions, like a conductor’s wand. Angled windows frame interspersed glimpses of greenery whether travelling from up to downstairs, or gazing out the kitchen’s glass splashback.
Dover Townhouses does not use lines to visually or physically delineate space from space, or dwelling from dwelling. Rather this project forms a tapestry of woven lines that harmonise, achieving a relationship between the dwellings that celebrates living in proximity to others – delightfully blurring lines between family, friend, neighbour, mine and yours.
Project Details
Architecture – 
Designed by Hans Verstuyft, the Austere is seen as a single line with no frills. Completely stripped of excess in its aesthetic, it offers complete coverage and the ultimate discretion, with an ethereal silhouette. It is design in its purest form.
Subtle and practical, the Austere Floor Lamp is suitable for a kitchen, reading area, bedroom or living space – bringing a modern and minimalist touch.