Living Edge is committed to original and genuine design, offering furniture by the most world-renowned designers and manufacturers..
As part of this commitment, Living Edge is bringing Vitra’s 100 Miniatures Exhibition to Australia in November, providing an opportunity for visitors to see the miniature versions of the world’s most
famous chairs all in one place. The collection celebrates the last 200 years of chair design, marking pivotal moments in the history of furniture design, and providing insights into history in general. Many of the chairs were revolutionary explorations of material, technology and form, and continue be used in the environments that we create and live in today.
Vitra’s 100 Miniatures Exhibition will be on show in Australia November 8 to March 26 with exhibitions in Living Edge’s Sydney, Brisbane, Melbourne and Perth Showrooms.
Want to know more? Find out all the information here.
In the thirties and forties, Scandinavian design followed the principles of functionalism: simple structures, clear lines, a lightweight visual appearance. The desire for austerity of form was combined with a preference for wood as a natural material. It was not until the fifties that young designers like Verner Panton began to use the formal possibilities created by innovative technologies in order to liberate furniture from the constraints of tradition. Verner Panton wrote of his works: »I try to forget existing examples, even if they are well made, and find my own way of coming to terms with the materials. The result seldom has four legs, not because I do not want to make a chair but because working with new materials like wire mesh and polyester demands new forms.« The Heart Shaped Cone Chair embodies the transformation that took place in Scandinavian design in the late fifties. The purist furniture of lassical modernism was now joined by sculptural forms inspired by the new technologies. At the same time, the shape and color of the Cone Chair anticipate the »Pop Art« furniture of the sixties.