Miniatures LCM Charles & Ray Eames, 1945

Living Edge

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  • Living Edge is committed to original and genuine design, offering furniture by the most world-renowned designers and manufacturers..

    As part of this commitment, Living Edge is bringing Vitra’s 100 Miniatures Exhibition to Australia in November, providing an opportunity for visitors to see the miniature versions of the world’s most

    famous chairs all in one place. The collection celebrates the last 200 years of chair design, marking pivotal moments in the history of furniture design, and providing insights into history in general. Many of the chairs were revolutionary explorations of material, technology and form, and continue be used in the environments that we create and live in today.

    Vitra’s 100 Miniatures Exhibition will be on show in Australia November 8 to March 26 with exhibitions in Living Edge’s Sydney, Brisbane, Melbourne and Perth Showrooms.

    Want to know more? Find out all the information here

    Charles Eames and Eero Saarinen designed a chair in 1940 with a new type of three-dimensional preshaped plywood seat for a competition held by the New York Museum of Modern Art. The chair did not go into production owing to a lack of technical know-how. It was very rare back then for plywood to be successfully pressed into a three-dimensional shape. In the years that followed, Charles and Ray Eames concentrated on developing a process that enabled plywood to be shaped as they wanted. The »Plywood Chairs« DCW (Dining Chair Wood), LCW (Lounge Chair Wood) and the versions with metal legs, namely DCM (Dining Chair Metal) and LCM were the result of these years of experimentation. In 1945 Charles and Ray Eames again took up the idea of a seat made of formed plywood without, however, coming up with satisfactory solutions. As a consequence, they rejected the idea of a multifunctional seat and decided to treat seat and back as separate, freely articulated elements that were linked with each other via a backbone – the frame. Each component is therefore reduced to a clearly defined function which it fulfills with a minimum of materials being used. The rubber »shock mounts« glued onto the wood enable the seat and back to be connected to the frame.

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