Co-curated by Djon Mundine OAM and gallery director Toby Chapman, the exhibition Blak Douglas: The Halfway Line highlights the evolution of the artist’s practice over the past 30 years, showcasing more than 30 significant works from collections across Australia.
Born Adam Hill in Blacktown, Douglas is a Dhungatti artist whose career began in graphic design before he transitioned to painting. His bold, socially engaged works have gained widespread recognition, including winning the 2022 Archibald Prize with Moby Dickens, a portrait of Wiradjuri artist Karla Dickens. The exhibition marks a pivotal moment as Douglas reflects on his trajectory and explores new artistic directions.
“The Halfway Line is a space of celebration and reflection, recognising Douglas as a seminal figure in the development of contemporary First Nations art in Australia. Equally, it’s an opportunity for the artist to reflect on his own trajectory, sharing moments of insight and vulnerability,” says Chapman.
The exhibition also explores Douglas’ deep connections to Penrith, where he studied graphic design at Nepean TAFE before embarking on a fine arts career. His formative years in Western Sydney and subsequent immersion in the Redfern art scene are key themes, along with his ongoing engagement with social justice and Aboriginal rights.
Douglas’ artistic practice extends beyond painting, incorporating sculpture, installations, photography and poster design. The Halfway Line serves as both a personal and cultural metaphor, reflecting the boundaries Douglas has navigated throughout his career.
Blak Douglas: The Halfway Line opens on March 15th, with an official event on 22nd March at Penrith Regional Gallery.
