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Issue 64 - The 'Future' Issue

Issue 64

The 'Future' Issue

Habitus #64 Welcome to the HABITUS ‘Future’ and ‘Habitus House of the Year’ Issue. We are thrilled to have interior designer of excellence, Brahman Perera, as Guest Editor and to celebrate his Sri Lankan heritage through an interview with Palinda Kannangara and his extraordinary Ek Onkar project – divine! Thinking about the future, we look at the technology shaping our approach to sustainability and the ways traditional materials are enjoying a new-found place in the spotlight. Profiles on Yvonne Todd, Amy Lawrance, and Kallie Blauhorn are rounded out with projects from Studio ZAWA, SJB, Spirit Level, STUDIOLIVE, Park + Associates and a Lake House made in just 40 days by the wonderful Wutopia Lab, plus the short list for the Habitus House of the Year!

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HYDE Melbourne Place is a hotel with attitude
Design StoriesAleesha Callahan

HYDE Melbourne Place is a hotel with attitude

Designed by Melbourne-based studio Kennedy Nolan, HYDE Melbourne Place brings bold materiality, tactile detail and moody atmosphere to the city’s east-end laneways.


HYDE Melbourne Place isn’t your typical design hotel. In the heart of the city, this new destination encapsulates high-end design without shouting. The hotel, designed by acclaimed Melbourne architects Kennedy Nolan, reimagines the hospitality experience through an expressive, sculptural and unapologetically bold lens. With 191 rooms and a sought-after rooftop restaurant, the building is a stage where design and culture meet.

From the street, HYDE Melbourne Place doesn’t immediately announce itself. A monolithic brick façade, layered in rich earthy tones, rises with rhythm and restraint to create a sense of anticipation. Once inside, the tone shifts dramatically. Kennedy Nolan has composed the interiors to be robust yet refined. Structure somehow feels spontaneous. The colour palette is confident, with deep greens, warm clays, offbeat pastels and luminous finishes bouncing against the natural grain of timber and brushed concrete. Every corner plays with contrast and depth.

It’s a design language that feels theatrical, and somehow laissez-faire. It’s immersive. Guest rooms, categorised as General Admission, VIP, Suites and the crowning Headliner Suite, each carry the signature HYDE attitude: layered and textural with just a touch of cheekiness. Beds are set against custom-designed bedheads that double as a sculptural insertion. Lighting is deliberately moody. Bathrooms lean into intimacy, with coloured tiling and curved forms that cocoon rather than expose.

HYDE’s global identity draws on music, fashion, art and nightlife, and Melbourne Place embodies this fusion through materiality and mood. There’s a tactile immediacy to every element: felted fabrics, slatted timber, tiled surfaces, unexpected pops of brass. Kennedy Nolan’s approach redefines luxury by grounding it in experience.

This immersive sensibility continues at Mid Air, the hotel’s all-day rooftop venue positioned on Level 12. With sweeping views of the city, the space functions as both restaurant and lounge, a place for connection, lingering and late nights. Mediterranean influences guide the menu, but it’s the interiors that elevate the whole. Sunset tones wash across the space, accented by signature Kennedy Nolan forms such as arched thresholds and ocular peepholes, while terrazzo surfaces and plush seating encourages guests to settle in. Like the rest of the hotel, it’s less about formality and more about atmosphere.

Importantly, HYDE Melbourne Place feels distinctly of its city. Kennedy Nolan has designed a high-energy brand that resonates with Melbourne’s creative pulse, its underground galleries, music scenes, independent fashion and cultural pluralism.

HYDE Melbourne Place dares to break the mould, setting a new tempo for what a hotel can be – using architecture and interiors to curate an experience that’s as sensual as it is functional. Whether you’re checking in for a night or checking out the rooftop for the evening, the hotel is a celebration of design as a social act. One that feels alive through its layered, sculptural and expressive design.

Kennedy Nolan’s masterstroke is not in any singular detail, but in how the studio has brought together all of these distinct elements – texture, light, space and story – into a cohesive whole.

HYDE Melbourne Place
hydehotels.com/melbourne-place


About the Author

Aleesha Callahan

Aleesha seeks out the unique people, projects and products that define the Indo Pacific region. Previously the editor of Habitus and Indesignlive, she has written and contributed to various publications and brands in the architecture and design industry, bringing intimate insight to her stories having first trained and practised as an interior designer. Her passion for mid-century design and architecture began while living and working in Berlin.

Tags

ArchitectureBoutique Hoteldesign hotelhospitalityhotel designHYDE Melbourne PlaceInterior Designkennedy nolanMelbourneRooftop restaurant


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Issue 64 - The 'Future' Issue

Issue 64

The 'Future' Issue

Habitus #64 Welcome to the HABITUS ‘Future’ and ‘Habitus House of the Year’ Issue. We are thrilled to have interior designer of excellence, Brahman Perera, as Guest Editor and to celebrate his Sri Lankan heritage through an interview with Palinda Kannangara and his extraordinary Ek Onkar project – divine! Thinking about the future, we look at the technology shaping our approach to sustainability and the ways traditional materials are enjoying a new-found place in the spotlight. Profiles on Yvonne Todd, Amy Lawrance, and Kallie Blauhorn are rounded out with projects from Studio ZAWA, SJB, Spirit Level, STUDIOLIVE, Park + Associates and a Lake House made in just 40 days by the wonderful Wutopia Lab, plus the short list for the Habitus House of the Year!

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