Skip To Main Content
Issue 59 - The Life Outside Issue

Issue 59

The Life Outside Issue

Introducing the Life Outside issue of Habitus magazine. With life increasingly being absorbed into a digital space, there is never a more important moment to hold something tangible. In this context, the power of nature to have a physiological impact on our sense of wellbeing has never been more important. So how can we cultivate the benefits of the our natural environment in the most intimate of places – our homes? This was the question that helped to bring this issue of Habitus to life.

A Product of

Home as a testing ground
ConversationsAleesha Callahan

Home as a testing ground

Pascale Gomes-McNabb has created some of the most iconic restaurant fitouts around Melbourne. Always searching for new ideas, we learn how art and design constantly inspire this all-around creative.


Habitus Living: Tell us about your background

Pascale Gomes-McNabb: I was brought up in an artistic, architectural design imbued environment. My parents are architects, and we lived around the world when I was a child and I continued to move, live and travel as a young adult. Design was a constant.

Pascale Gomes-McNabb, photo by James Morgan

I was acutely aware of my surrounding environment and culture, shapes, tactility, colours, textures, light play and shadow – there are so many components to spatiality that create mood and experiences – the tangible and the intangible, the seen and the unseen.

What led you to where you are?

Growing up I was constantly visually stimulated, continuously seeing the new and different and the mundane, enticed by things that were old or new but never encountered before. Design was integral to how I understood and related to the world, it created an order for me.

Monopole, photo by Murray Fredericks

How do you balance personal and professional life?

Not easily! Design is a way of life. There is no real separation, especially when I am constantly assessing and looking at everything for its inherent design usefulness, application and aesthetic appeal – from cutlery to clothing, bottle caps to light fittings, furniture to fluff – the list goes on and on.

Of course, there is a symbiosis with what I see and experience, which I bring into my work and I maintain a necessary structure to my work life and also to my personal life.

In my downtime away from my studio I go to galleries, exhibitions, movies, book shopping, shops, restaurants, hotels, being immersed in nature, there is always more, more, and more to see and experience and to be excited by!!

Cumulus, photo by John Gollings

What does home mean to you?

Home is a retreat and a place of calm where I can relax and entertain and hide away from the world as necessary. It is also filled with beautiful, ugly, fabulous fun pieces picked up on travels and around, from high-end designer shops to flea markets and vintage shops.

Cirrus, photo by Murray Fredericks

How does your home reflect your passions, interests and creativity?

Home is a testing ground of things, objects, furniture, and art to be enticed and excited by, I am constantly rearranging and moving things around to create different visual stimuli and tableaux. I need to be surrounded by beautiful things, old and new, intentionally and unintentionally designed from various cultures, times, history.

Objects have their own story and together can create dynamism, energy and feelings of joy, calm, excitement, interest, a narrative of their own…..

Stokehouse restaurant, photo by James Morgan

What are the favourite things in your home?

At the moment it is a new but vintage LC4 all-black chaise longue designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand. A childhood wishlist dream design piece.

Rainbows that come through the house at various times of the day and year – are pure magic and make me smile.

A verdant green courtyard that is an oasis of calm in the house – soothing to the eye and soul. Gardens however large or small, unconventional or not, or even a selection of beautiful indoor plants instil necessary and vital energy in a home.

What’s something you wished you had known before setting out on this career path?

That it can be hard to separate my professional and personal lives. I try, I really do, as in it is very hard not to work all the time. Just by looking at something I immediately start to analyse its aesthetic, practical, sustainable, usefulness, and other inherent qualities.

Designing makes me happy. To be able to create beautiful environments and objects for others to enjoy – I love it!

Castle Cove House, in collaboration with Terrior, photo by Brett Boardman

What makes culture, art and design important to you?

Each is an independent stimulus that can affect change in small and large scale ways societally and individually. They can enable us to question and challenge our perceptions, hopefully to better society and/or our lives.

Encountering culture, art or design is ideally experiential, creating a new dynamic, fuelling a desire for knowledge and diversity, and challenging our perception of life.

Castle Cove House, in collaboration with Terrior, photo by Brett Boardman

How does art play into your work and your home?

Art is integral in my personal and professional life. It is intrinsically entwined.

High art. Low art. Bringing art in many forms raw to refined, whether it is challenging or not, is important or just simply beautiful. To create a dialogue with pieces in my home environment and others (i.e. the realm of collaborations with clients) is of paramount importance to my craft, my profession and personally.

Working with artists and craftspeople adds dialogue, dynamism and dimension to design. I recently worked with artist Ash Keating to reimagine an existing restaurant – the space now feels akin to stepping into a painting – Ria in Sydney.

Ria restaurant, photo by Murray Fredericks

What was the first piece of art you bought?

When I was around eight years old I was bequeathed a sculpture – an oversized ring in white Carrera marble by Joel Elenberg. The first piece I bought was a Papua New Guinean sculpture when I was about 10 or 12 years old.

Pascale Gomes-McNabb is an ambassador for Melbourne Art Fair 2022, running from 17-20 February, visit melbourneartfair.com.au for full program details and to book tickets.

Habitus is a proud media partner for Melbourne Art Fair – you can pop in and see us at the stand MP1 in the Galleries.


About the Author

Aleesha Callahan

Aleesha Callahan is the editor of Habitus. Based in Melbourne, Australia, Aleesha seeks out the unique people, projects and products that define the Indo Pacific region. Aleesha was previously the editor of Indesignlive.com and has written and contributed to various publications and brands in her 10 years in the architecture and design industry, bringing intimate insight to her stories having first trained and practised as an interior designer. Her passion for mid-century design and architecture began while living and working in Berlin.

Tags

design hunterDesign Hunter ProfileINTERIOR DESIGNERMelbourne Art Fair 2022Pascale Gomes-McNabb


Related Articles
Issue 59 - The Life Outside Issue

Issue 59

The Life Outside Issue

Introducing the Life Outside issue of Habitus magazine. With life increasingly being absorbed into a digital space, there is never a more important moment to hold something tangible. In this context, the power of nature to have a physiological impact on our sense of wellbeing has never been more important. So how can we cultivate the benefits of the our natural environment in the most intimate of places – our homes? This was the question that helped to bring this issue of Habitus to life.

Order Issue