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Issue 64 - The 'Future' Issue

Issue 64

The 'Future' Issue

Habitus #64 Welcome to the HABITUS ‘Future’ and ‘Habitus House of the Year’ Issue. We are thrilled to have interior designer of excellence, Brahman Perera, as Guest Editor and to celebrate his Sri Lankan heritage through an interview with Palinda Kannangara and his extraordinary Ek Onkar project – divine! Thinking about the future, we look at the technology shaping our approach to sustainability and the ways traditional materials are enjoying a new-found place in the spotlight. Profiles on Yvonne Todd, Amy Lawrance, and Kallie Blauhorn are rounded out with projects from Studio ZAWA, SJB, Spirit Level, STUDIOLIVE, Park + Associates and a Lake House made in just 40 days by the wonderful Wutopia Lab, plus the short list for the Habitus House of the Year!

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A stream of installations to see at Biennale of Sydney
HappeningsCaelan Kaluder

A stream of installations to see at Biennale of Sydney

Titled ‘Rīvus’, meaning ‘stream’ in Latin, this year’s Biennale features new works and exhibitions of water ecology and its infinite connections to the natural world. 


Returning in a big way, the 23rd Biennale of Sydney opens across the city, exploring notions and connections to water and nature.  

Installation view, 23rd Biennale of Sydney, rīvus, 2022, The Cutaway at Barangaroo. Cave Urban, Ana Barboza, Rafael Freyre, & Museo de Arte Contemporáneo de Lima.

With the Biennale opening for three months, Barbara Moore, chief executive officer of the Biennale says: ‘This year’s Biennale is going to feel great to experience. The city will be vibrant with artworks and events that invite everyone to come together and connect, celebrating the participants and their stories and honouring the diversity of thoughts and ideas that empower us all. 

Caio Reisewitz, MUNDUS SUBTERRANEUS, 2022. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Museum of Contemporary Art Australia. Photography: Document Photography.

“We are thrilled to unveil these incredible works and encourage visitors to flow between the venues to see and feel different perspectives on our connections with waterways and each other.”

 It is these same aqueous elements that provide dialogue for artists, architects, designers, scientists, and communities across the globe. Over 1900 participants, both local and international, are presenting their commissioned works, conveying their relationship with the ecology of water. 

Julie Gough, Manifestation (Bruny Island), 2010. Installation view of Littoral (2010), curated by Vivonne Thwaites, Carnegie Gallery Hobart. Photograph: Julie Gough. Copyright © Julie Gough.

The participants’ work will be scattered across Sydney, many shown through numerous events and exhibitions correlating with their specific interpretation. The first program, named The Waterhouse, is a culmination of numerous events, exploring the parallels between the free-flowing river, and the free-flowing exchange of ideas. 

Cave Urban, Transience, 2019. Installation view for Sculpture By The Sea (2019), Bondi. Commissioned by Sculpture By The Sea. Supported by Transfield. Courtesy the artist. Photograph: Juan Pablo Pinto

“The activations and experiences offered through The Waterhouse program extend upon the foundational principle of ‘Rīvus’– build upon what’s already there – through active and participatory work that acknowledges that we are all connected through water, by water, in water,” says The Curatorium, organisers of the Biennale. 

Ackroyd & Harvey, Lille Madden / Tar-Ra (Dawes Point), Gadigal land, Sydney, 2022. . Courtesy the artists. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Art Gallery of New South Wales. Photography: Document Photography.

Rivers have been the ways of communication and the givers of life for entire communities and a growing number of jurisdictions around the world are granting rivers legal personhood rights. As we see waterways having a voice in the courtroom, we wanted to extend this further into the public sphere with our exhibition. Many of the Biennale of Sydney participants have worked with waterways, local and international, to share their stories and raise these important conversations.”

Rīvus, Sydney’s 23rd Biennale opens tomorrow, March 12th. Don’t miss a thing and check out its website here.


About the Author

Caelan Kaluder

Caelan Kaluder is the editorial assistant of both Habitus and Indesign. As a recent graduate of ANU, he fell headfirst into the world of the design curious. He has directed various plays and held a residency in Canberra Youth Theatre. He has also worked as a freelance writer and has a keen eye for finding the latest in the world of architecture and design - with a soft spot for all things creative in the workplace and at home.

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Issue 64 - The 'Future' Issue

Issue 64

The 'Future' Issue

Habitus #64 Welcome to the HABITUS ‘Future’ and ‘Habitus House of the Year’ Issue. We are thrilled to have interior designer of excellence, Brahman Perera, as Guest Editor and to celebrate his Sri Lankan heritage through an interview with Palinda Kannangara and his extraordinary Ek Onkar project – divine! Thinking about the future, we look at the technology shaping our approach to sustainability and the ways traditional materials are enjoying a new-found place in the spotlight. Profiles on Yvonne Todd, Amy Lawrance, and Kallie Blauhorn are rounded out with projects from Studio ZAWA, SJB, Spirit Level, STUDIOLIVE, Park + Associates and a Lake House made in just 40 days by the wonderful Wutopia Lab, plus the short list for the Habitus House of the Year!

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