Bar Julius greets visitors right at the point of entry to The EVE Hotel, a significant new addition to Sydney’s boutique hotel scene. It’s part of the broader Surry Hills Village precinct by SJB, and the bar itself maintains the design approach that finds inspiration in local, distinctively Australian colours and materiality. Bar Julius layers classic materials and adds a playful, modern twist to create a colourful space that feels at once refined, serene and full of energy.
Architecturally, the bar is defined by a formal dado and a vaulted ceiling. Balancing the rigour, order and formality of a dado with the vault’s lightness, the duality aims at an exciting balance that adds layers to the space as a whole.
“The design called for a statement piece, something bright, colourful and full of energy, so Louise was the perfect fit!” says SJB Director, Adam Haddow, referring to local artist Louise Olsen’s artwork, Still Life, which adorns the vaulted ceiling.

“Together, we worked on how the artwork would be displayed, landing on a dramatic ceiling installation for a bold and encapsulating effect. It was important to us that we embedded Australian art within the bar.”
Featuring the rich red-brown warmth of Australian timbers Jarrah and Ironbark, the bar’s design language draws on classic bistro design in both materiality and concept. Two-toned timber and stone patterns bring an inviting richness and energy to the space, while the room as a whole is full of intricate details such as the deep blue-grey accents or layered red-toned marbles.
“The design brings together timelessness with a fresh, modern energy”, says Senior Associate and Co-Lead of SJB Sydney’s interiors team, Victoria Judge. “Featuring the natural warmth of Australian timbers, bold patterns and playful artwork, the space feels both grounded and delightfully spirited – a place that’s cosy, uplifting and full of life.”
The backlit ceiling further adds to the atmosphere of the space by casting a warm, subtle glow, complementing the natural tones throughout. Inspired by the iconic Australian artwork, The Lacquer Room by Grace Cossington Smith (1936), the design is both cosy and playful.








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