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Inspirational And Influential Design By The Stella Collective

Inspirational And Influential Design By The Stella Collective

Niam The Stella Collective CC Sean Fennessy cafe counter details

“As designers, we need to design like we give a damn. I believe design can help communities on a global scale,” says Hana Hakim of The Stella Collective.

At 55 square metres, Naim is a small Middle Eastern café in Brisbane, but its cultural impact is hoped to be far bigger than its diminutive size. The owners engaged Hana Hakim, founder of The Stella Collective, to design the café, as they both share Syrian heritage. “Food and design to me are the greatest cultural bridges,” says Hana. “I wanted to create a space that gives a peek into Syrian and Islamic architecture, and to bring a very special message about Syria into the light.”

The brief was to celebrate Middle Eastern design with a modern take. Hana drew inspiration from cherished memories with her family in Aleppo, Syria, remembering the ancient city’s internal courtyards, bountiful oasis, elaborate geometric tiling and hole-in-the-wall tea houses.

Niam The Stella Collective CC Sean Fennessy tile and greenery detail

“This concept was very personal to me. Aleppo was so beautiful and one of the places left in the world where the spirit and generosity of the people were truly arresting,” Hana explains. “Naim is designed with love for Syria. It is an interior tinged with nostalgia and hope.”

All elements fit neatly within the small footprint of the café to maximise natural light and space. The serving area is just wide enough for benchtop display and food storage, and to allow space for banquette seating along the opposite wall and next to the windows. The light-coloured palette also enhances and reflects natural light. “The palette was derived through soft texture and symmetry, which are the backbone of Syrian architecture,” says Hana.

Niam The Stella Collective CC Sean Fennessy cafe seating detail

Custom tiles with refined geometric patterning are a modern interpretation of arabesque tiles. The traditional geometric designs combine repeated squares and circles in intricate and complex patterns, which Hana has pared back into a subtle, randomised display.

Tadelakt, a plaster technique, meaning to “rub in” in Berber, brings a sense of depth and texture to the walls, as do the rattan backrests. And the green-tiled floor and plants evoke the bountiful oasis, while mirrors reflect natural light and blackened steel features contrast with the Tadelakt and tiles, adding definition.

“The more the Western world gets to experience the Middle East’s food and culture, the more curious they will be about it and maybe they will start to raise questions about what is happening to people over there and how they can help.”

The Stella Collective

Photography by Sean Fennessy

Niam The Stella Collective CC Sean Fennessy details brass and metal

Niam The Stella Collective CC Sean Fennessy cafe counter tile detail

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